Kunanyi; intersecting paths

With thanks to Salamanca Arts Centre who facilitated the experience which led to these works currently on exhibition at Salamanca Arts Centre until 21st February, 2026

Finissage - 5:00 - 7:00 pm Friday 20th February 2026

Lada Dedić
Act I; Intersecting Paths and a Road to Nowhere, 2023 (reworked 2026)
Oil, 24kt gold, devil's arse hair on canvas
1565 x 955 mm

Lada Dedić
Act II; Bread or the Booby Prize, 2026
Oil, acrylic, black solvent, 24kt gold, devil’s arse hair on linen
800 x 950 mm

Lada Dedić
Act II; Bread or the Booby Prize (detail), 2026
Oil, acrylic, black solvent, 24kt gold, devil’s arse hair on linen
800 x 950 mm

Lada Dedić
Act III; Everything in its Place, 2026
Oil, acrylic, black solvent, 24kt gold, devil's arse hair on linen
450 x 950 mm

Lada Dedić
Act III; Everything in its Place, 2026
Oil, acrylic, black solvent, 24kt gold, devil's arse hair on linen
450 x 950 mm

Lada Dedić
You Are Not the Driver, 2026
Oil, 23kt gold on linen
508 x 406 mm

Lada Dedić
Unmistaken Message, 2024
Oil, acrylic and 23 karat gold on canvas
355 x 250 mm

Lada Dedić
Taking Back the Tourist Trap, 2025
Oil, 24kt gold, sterling silver on linen
200 x 200 mm

Lada Dedić
I’ve Had Warmer Farewells from a Bank Teller, 2026
Acrylic, black solvent, 24kt gold on sustainable canvas (100% recycled plastic bottles)
200 x 200 mm

Lada Dedić
Apple Cake from a Paper Bag; Coffee from a Tainted Cup, 2026
Acrylic, black solvent, 24kt gold on sustainable canvas (100% recycled plastic bottles)
200 x 200 mm

Lada Dedić
Dark Wisdom; The Ghost House, 2026
Acrylic, black solvent, 24kt gold, 19kt gold & silver alloy, copper on linen
950 x 800 mm

Lada Dedić
Maps, Paths, Trails and Trials, 2024 (reworked 2026)
Oil, acrylic, 23 kt gold on canvas
1270 x 530 mm (Tetraptych 500 x 250 mm)

Lada Dedić
Why Can’t they Hear You? I asked
Because they aren't listening the mountain replied, 2023 (reworked 2026)
Oil, acrylic, 24kt gold on canvas
760 x 510 mm (x 2)

Lada Dedić
Entanglement; a tale of two mountains, 2026
Oil, 24kt gold, 19kt gold & silver alloy, copper on canvas
250 x 200 mm

Lada Dedić
Who You Callin' Borealis? (ambient, semi-dark, dark lighting), 2026
Oil, rare earth elements, 24kt gold, sterling silver, copper on linen, UV light
950 x 950 mm

Lada Dedić
Directionless (ambient light), 2024
Oil, rare earth elements, 24kt gold on canvas
(UV torch included with Auroral works)

500 x 250 mm

Lada Dedić
Directionless (low light), 2024
Oil, rare earth elements, 24kt gold on canvas, UV light
500 x 250 mm

Lada Dedić

1. After Sunset, 2024
Oil, rare earth elements, 24kt gold on linen , UV light
200 x 200 mm

2. Before Sunrise, 2024
Oil, rare earth elements, 24kt gold on linen, UV light
200 x 200 mm

3. The Night Shift, 2024
Oil, rare earth elements, 24kt gold, sterling silver on linen, UV light
200 x 200 mm

(Ambient light)

Lada Dedić

1. After Sunset, 2024
Oil, rare earth elements, 24kt gold on linen , UV light
200 x 200 mm

2. Before Sunrise, 2024
Oil, rare earth elements, 24kt gold on linen, UV light
200 x 200 mm

3. The Night Shift, 2024
Oil, rare earth elements, 24kt gold, sterling silver on linen, UV light
200 x 200 mm

(Low Light)


Lada Dedić, arrangement in collaboration with Boorloo/Perth musician Louis Ingliss

Kunanyi Exhibition - Artwork Sales

Studio Gallery, Salamanca Arts Centre
Level 2, 77 Salamanca Place
Hobart 7000

Exhibition: 31st January - 21st February, 2026
Closing Event: 5:00PM – 7:00PM, Friday 20th February 2026


The ‘kunanyi’ exhibition presents the outcome from a multi-year project developed across a trio of residences at Salamanca Arts Centre’s Artist’s Cottage by fulltime time-travelling artist Lada Dedić

The works are a cartographic hymn composed of maps hidden within the paintings; a chorus of the Cottage, Kelly’s Steps and artist Lada Dedić’s enduring and ongoing mountain conversation which continues to this day wherever she may be in the world.

The paintings, sound and poems composed over the trio of residencies and beyond, depict a clandestine path to tragic poetic chaos and joyful inevitability.

Just as lutruwita Tasmania opened borders, health guidelines mandated that Lada’s initial residency was in precious solitude; amidst echoes of nipaluna Hobart’s annual festivities, yacht races and as the city called in 2022 with fireworks observed from the back steps of the cottage, made for an extraordinary experience and a residency like no other.

Lada was present as the children from the tragic Hillcrest Primary School jumping-castle disaster were medi-helicoptered overhead one by one; bells tolled for funerals but also weddings and celebrations; as mobs of ‘anger’ passed-by shouting “FREEDOM!” ironically, unaware that she, quarantined in her little paradise cottage felt totally free in her solitude. It was the most surreal of times. Punctuated by the strum of her guitar, the ping of her phone, visits from bumble-bees and birds, hours on hold with TasHealth; She and the mountain built a deep conversation from the back steps, kunanyi’s mists seemingly replying to questions or offering stability and wisdom as only a mountain can.

 Although alone with only the mountain for company, friendships were formed through the ping of a smartphone… some of these relationships were fittingly fleeting while others endure to this day, with each residency, new connections formed leading to creative-collaborations within The Arts Centre, across the state and beyond.

The soundscape composed from recordings taken during her period of quarantine in Act I, is made in collaboration with musician and sound engineer Louis Ingliss from Boorloo Perth, Western Australia. The edible art which can be sampled at the finnesage closing event is the second in a series of collaborations forged through the ethically aligned friendship formed between Lada and Dr Julie Martyn, microbiologist and co-founder of Artisa Plant Based Cheeses based in lands surrounding the kanamaluka Launceston.

In May 2024, Lada returned to The Artist’s Cottage for Act II; a chapter of exploration with freedom of movement, a rather spectacular Aurora Australis and an amusing encounter with TasWater. The third residency was completed from November 2024 into January 2025, this time focusing on connection, collaboration and community.

Collaborators
Soundscape:
Louis Inglis - Boorloo Perth, WA

Edible Art:
Dr Julie Martin, Artisa Tasmania - kanamaluka Launceston, lutruwita Tasmania


About the Artist

Lada Dedić is a rambler in thought, speech and practice, known for straying off the path in both life and work. Her multi-disciplinary investigative approach explores themes of meditative contemplation, the interplay of science & art, and playful cartography. Having a peculiar relationship with direction has led her to make unconventional maps, sure to send even the most seasoned navigator on an unexpected adventure. A full-time traveller often wandering between Australia, the South Pacific and South East Asia. As the child of political refugees… perpetually displaced, she has found security in solitude and the discomfort of transitory life.

 Follow her work and travels on: Instagram: @studiolada


kunyani is muwinina country and Lada acknowledges the palawa people of lutruwita as the traditional owners of this land she is so grateful to wander on and work on as an artist and a maker.

Always was, always will be Aboriginal land.